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Bundled with the special editions of the manga's 7th and 8th volumes. When a certain man is released from prison, he knows exactly where he's heading first. After falling in love with a traditional comic storyteller's rendition of the story called "Shinigami," he is determined to become his apprentice. The performer, Yakumo, has never taken an apprentice before, but to everyone's surprise, he accepts the eager ex-prisoner, nicknaming him "Yotaro." As Yotaro happily begins his new life, he meets others in Yakumo's life, including Yakumo's ward Konatsu. Konatsu was the daughter of a famous storyteller, and Yakumo took her in after her father's tragic death. Konatsu loved her father's storytelling, and would love to become a performer in her own right—but that path is not available for women. (Source: MangaHelpers)

Daikichi Kawachi is a 30-year-old bachelor working a respectable job but otherwise wandering aimlessly through life. When his grandfather suddenly passes away, he returns to the family home to pay his respects. Upon arriving at the house, he meets a mysterious young girl named Rin who, to Daikichi’s astonishment, is his grandfather's illegitimate daughter! The shy and unapproachable girl is deemed an embarrassment to the family, and finds herself ostracized by her father's relatives, all of them refusing to take care of her in the wake of his death. Daikichi, angered by their coldness towards Rin, announces that he will take her in—despite the fact that he is a young, single man with no prior childcare experience. Usagi Drop is the story of Daikichi's journey through fatherhood as he raises Rin with his gentle and affectionate nature, as well as an exploration of the warmth and interdependence that are at the heart of a happy, close-knit family. [Written by MAL Rewrite]

The story involves two pairs of teenage elder sister and younger brother, the Shinmoto's who are a bit narcissistic and the Saitou's who look a bit mysterious. It follows their everyday life in school and at home. (Source: MAL News)

Even after having risen to the utmost rank of shun'ichi, Yotarou struggles to find his own identity in the world of rakugo. Caught between his master's teachings and the late Sukeroku's unique style, his performance lacks an important ingredient—ego. And while his popularity packs the theaters, he is but one of the few; rakugo is under threat of being eclipsed. Meanwhile Yakumo, regarded by many as the last bastion of preserving the popularity of rakugo, struggles to cope with his elderly state. Even though his performances are still stellar, he fears that he is nearing his limits. His doubts grow stronger as an old friend creeps ever closer. Konatsu, for her part, attempts to raise her son as a single mother, which Yotarou is heavily opposed to. Instead, he seeks to persuade her to marry him and in turn raise her son as his own. In Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, the curtains fall on Yotarou and Yakumo's story, tasked with restoring the near-obsolete art form as well as overcoming their internal conflicts. [Written by MAL Rewrite]